mobile.nytimes.com – “Free State of Jones” begins on the battlefield, with a flurry of the kind of immersive combat action that has long been a staple of American movies. The setting is familiar in other ways, too. As a line of Confederate troops marches across a field into Union rifle and artillery fire, a haze of myth starts to gather over the action, a mist of sentiment about the tragedy of the Civil War and the symmetrical valor of the soldiers on both sides of it. But this is a sly piece of misdirection: The rest of the movie will be devoted to blowing that fog away, using the tools of Hollywood spectacle to restore a measure of clarity to our understanding of the war and its aftermath.
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