
esquire.com – Matt Patches Joel and Ethan Coen make genre movies that don’t look like genre movies. No Country for Old Men modernized and moralized the Western. Inside Llewyn Davis was a […]
esquire.com – Matt Patches Joel and Ethan Coen make genre movies that don’t look like genre movies. No Country for Old Men modernized and moralized the Western. Inside Llewyn Davis was a […]
tv.bt.com – Mark Sylvester With a broody tone, gruesome murders and a brilliant but broken cop, it may have all the markings of classic ‘Nordic noir’, but this series is firmly […]
theguardian.com – Tim Lewis Everything about Marlon Brando was big: his talent; his neuroses; his sexual appetites; and, notoriously, in his later years, his waistline. But perhaps the most outsized aspect of […]
thewrap.com – Reid Nakamura “You’re a better actor the less people know about you,” the “Martian” star says “The Martian” star Matt Damon is courting controversy again with a new statement […]
businessinsider.com – Jason Guerrasio Roadside Attractions Director Roland Emmerich is known best for making CGI-heavy disaster movies like “Independence Day,” “The Day After Tomorrow,” and “2012.” So with “Stonewall” (opening Friday) […]
businessinsider.com – Alex Ritman, The Hollywood Reporter Aaron Sorkin has lashed out at Apple CEO Tim Cook’s recent assertion that filmmakers were being “opportunistic” in making films about the late tech […]
theguardian.com – Sali Hughes Helen Mirren hates the Guardian, and she hates female journalists. Before I meet her, I am told this a lot, by colleagues; she’s also hinted at it […]
gq.com – Lauren Larson Pawn Sacrifice, starring Liev Schreiber and Tobey Maguire, debuted this week to generally positive reviews, most of which surround Maguire’s excellent portrayal of American chess prodigy Bobby Fischer. […]
theguardian.com – Mark Kermode Top-flight cinematography by Salvatore Totino, deftly edited by Mick Audsley, lends gravitas to Baltasar Kormákur’s tale of mountaintop disaster, based on real-life events from 1996. Jason Clarke is […]
theguardian.com – Guy Lodge It is, perhaps, a curious indication of national genre snobbery that Ruth Rendell, surely one of our most silkily brilliant crime writers of any generation, died earlier this […]
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